<< return
na
with Science of Sound: Compression + Equalization
Equalization Part 1: The Fundamentals
Chapter 1: The Science of Sound (Intro)
Chapter 2: The Science of Sound
Chapter 3: Types of EQ
Chapter 4: Graphic EQ
Chapter 5: Semi-Parametric EQ
Chapter 6: Shelving EQ
Chapter 7: Filter EQ
Chapter 8: Dynamic EQ
Chapter 9: Program EQ
Chapter 10: Mid/Side EQ
Chapter 11: Match EQ
Chapter 12: Linear Phase EQ
Equalization Part 2: EQ in Practice
Chapter 13: EQ in Practice (Intro)
Chapter 14: Fix or Fit?
Chapter 15: Approaching the Project
Chapter 16: EQ in Practice – Kicks
Chapter 17: EQ in Practice – Off-Hat
Chapter 18: EQ in Practice – Clap
Chapter 19: EQ in Practice – Second Kick & More Hats
Chapter 20: EQ in Practice – Percussion
Chapter 21: EQ in Practice – Shaker & Ride
Chapter 22: EQ in Practice – The Crash
Chapter 23: EQ in Practice – More Percussion
Chapter 24: EQ in Practice – Bass & Lead Synth
Chapter 25: EQ in Practice – FX
Chapter 26: EQ in Practice – Vocals
Chapter 27: EQ in Practice – Mixing Groups
Chapter 28: Outro
Compression
Chapter 1: Introduction to Compression
Chapter 2: Compressor Parameter Tour
Chapter 3: Compression and Volume are not the same
Chapter 4: Multiband Compression
Chapter 5: De-essing
Chapter 6 : Sidechain Compression
Chapter 7: Comparing Compressors Part One
Chapter 8: Comparing Compressors Part Two
Chapter 9: Ducking Reverb
Chapter 10: Bus Compression
Chapter 11: Parallel Compression
Chapter 12: New York Compression
Chapter 13: High Pass Filter Sidechain
