Blog/News

Aug 23
AW

As the father of modern classical guitar, Andrés Segovia is without question one of the greatest guitarists of all time. If you have ever studied classical guitar, chances are that you've not only heard of him, but you've also studied his techniques whether you realize it or not. Segovia's contributions to the genre have to helped multiple generations of students learn how to play classical guitar, among them being our own classical guitar teacher Jason Vieaux.

In this video from his classical guitar lessons at his online guitar school, Jason goes over some the guitar scales which are commonly known as the "Segovia Scales", due to the fact that Segovia himself published these in a book he titled Diatonic Major And Minor Scales (1980).

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Jul 30
AW

In this beginner piano lesson from Christie Peery we have some great tips for you on how to get started playing the piano. These are some great basic steps for beginner piano players and a cool refresher for those getting back into playing the piano. We'll cover three areas to get you started: how to sit at the piano, how much distance from the keys you should be, and posture. So take a deep breath, make sure you've streched, and let's get started. 

Posted in classical, Piano
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Jul 24
NathanCole

how I decided to learn to play violin - nathan coleI’m often asked how I decided to learn to play the violin. The truth is that I didn’t make the decision at first! My parents both played the flute, and they wanted me to start an instrument once I was old enough to hold one. Violin is one of the rare instruments that you can learn at a very young age, because they make very small student versions, and so at the age of 4 I began to learn to play violin. You may have heard of the Suzuki Method, started by Shinichi Suzuki in the mid-20th century. For some reason, many of the American teachers that he taught settled in the Midwest. I grew up in Lexington, Kentucky, and there was already a strong group of Suzuki teachers and students there by the time I picked up my first violin.

 

how I decided to learn to play violin - nathan coleI’m often asked how I decided to learn to play the violin. The truth is that I didn’t make the decision at first! My parents both played the flute, and they wanted me to start an instrument once I was old enough to hold one. Violin is one of the rare instruments that you can learn at a very young age, because they make very small student versions, and so at the age of 4 I began to learn to play violin. You may have heard of the Suzuki Method, started by Shinichi Suzuki in the mid-20th century. For some reason, many of the American teachers that he taught settled in the Midwest. I grew up in Lexington, Kentucky, and there was already a strong group of Suzuki teachers and students there by the time I picked up my first violin.

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Jun 26
AW

classical music david bilgerAW: What first drew you to classical music? 

David Bilger: I had always had an interest in classical music, since it was the music that was always playing in my home growing up. Throughout my formative early years on the trumpet, I studied "classical" trumpet for technique, but also played a lot of other types of music. In fact, I was given a college scholarship by Woody Herman, which came about as the result of a jazz solo competition.

During my undergraduate years in college, I always tried to balance classical playing with jazz and commercial playing, so that I would be more marketable in the "real" world. Most symphony orchestras do some sort of pops programming, so I wanted to be ready for that, as well. During my free lance years in New York (prior to getting full time orchestral employment) I played symphonic repertoire, ballet, opera, chamber music, solos, jazz, commercial and even subbed Broadway shows. It was only after joining the Philadelphia Orchestra that I ended up focusing all my energies in classical playing.

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Jun 21
AW

online violin lessons with nathan coleNathan Cole was recently interviewed by Violinist.com about his online violin lessons here at the ArtistWorks Classical Campus.  He also talks about how he got started learning how to play violin using the Suzuki method (at age 4!), his first violin audition, playing with the LA Philharmonic, and a whole lot more! Check it out here!

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Jun 17
AW

Shostakovich Symphony #1 1st Movement is an essential clarinet excerpt and has many solos that require clear articulation, good rhythm and energetic playing.

The above video clarinet lesson from the Online Classical Clarinet School with Ricardo Morales breaks down several of the clarinet solos.

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Jun 4
AW

classical guitar jason vieauxOur resident classical guitar teacher Jason Vieaux was interviewed recently by KING FM in Seattle Washington. The interviewer Sean MacLean is obviously a big fan of Pat Metheny because starts off with asking Jason about his Pat Metheny tribute CD, "Images of Metheny", which came out in 2005.  They discuss the influence Pat Metheny has on Jason's playing and how it manifests with his classical guitar playing. When asked why he chose to do a Pat Metheny tribute CD, here's what Jason said:

"The emotional content of the music I think is sometimes missed by a lot of his detractors, because the music on the surface sounds very nice a lot of the time. But there's just something about it… I think a lot of emotions are evoked in the best of his music, and they're very subtle." - Jason Vieaux

Check out the classical guitar performance below and click here to listen to the interview.

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May 14
David

Austin Classical Guitar SocietyWhile in Austin for the SXSW music festival last month, I took a break from the festival's famous rock and roll extravaganza to meet up with Dr. Matthew Hinsley, the Executive Director of the Austin Classical Guitar Society (ACGS).  I learned about Matt from Jason Vieaux, who in addition to his extensive performance career also teaches classical guitar lessons online here at ArtistWorks.  Jason explained to me that under Matt's leadership the ACGS has become the largest guitar society in the United States, and is now one of the largest guitar societies in the world. 

I met up with Matt just outside of Austin's SXSW festival area for breakfast and a chat, and here are a few things you need to know about him.  Matt is master guitar teacher and educator, virtuoso performer, and an energetic popularizer of the classical guitar as a concert instrument. He has devoted his entire adult life to the classical guitar, and it was clear to me after only a few minutes with Matt that he is probably one of world's greatest evangelists of the instrument.  Under Matt's leadership, the ACGS has become the epicenter of a major resurgence in interest in the classical guitar.

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May 2
ArtistWorks

Christie Peery piano lessons ArtistWorks:  How long have you been teaching piano lessons? 

Christie: I started teaching piano when I was 9 years olds - so (not to give away my age or anything)  31 years.

AW:  What age do you recommend people start taking piano lessons?

Christie:  5 years old if a parent can sit and practice with the child daily.  8 years old if the child is going to mostly do it on their own.  The most important training for Classical piano is the first few years when muscular and musical habits are formed.  These things can be learned later, but poor habits are hard to break and strong old habits make you sound like a genius. 

AW:  If someone has already been taking piano lessons with someone else, is there anything they'll need to know about the Peery Method and your style of teaching?

 

Christie Peery piano lessons ArtistWorks:  How long have you been teaching piano lessons

Christie: I started teaching piano when I was 9 years olds - so (not to give away my age or anything)  31 years.

AW:  What age do you recommend people start taking piano lessons?

Christie:  5 years old if a parent can sit and practice with the child daily.  8 years old if the child is going to mostly do it on their own.  The most important training for Classical piano is the first few years when muscular and musical habits are formed.  These things can be learned later, but poor habits are hard to break and strong old habits make you sound like a genius. 

AW:  If someone has already been taking piano lessons with someone else, is there anything they'll need to know about the Peery Method and your style of teaching?

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Apr 15
AW

Debussy’s Rhapsodie for Clarinet and Piano is the “mother of all contest pieces,” according to clarinet player Ricardo Morales.  It was originally written by French composer Claude Debussy for the Paris Conservatory as a contest piece.

It is an extremely beautiful and nuanced composition known for its multiple levels of dynamics that go from piano to pianissimo to pianississimo to actual silence.  The challenge is playing it as both a solo for a clarient audition, but also keeping in mind that Debussy subsequently expanded it to be performed with an eighty to eighty-five piece orchestra where many of these colors would get lost if you played it as you would a solo piece.

As a clarinetist, concentrate on the colors you want to portray.  For example the beginning is piano but it is immediately followed by dolce and espressivo.  So being expressive between the B flat and the C creates a nice “shape” to the notes while maintaining the more quiet piano feel.

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