Blog/News

Dec 18
AW

all strings consideredJason Vieaux recently appeared on the All Strings Considered podcast, which is hosted by fellow classical guitarist Scott Wolf. Jason talks about his upcoming album, his own recording process, teaching classical guitar online here at ArtistWorks, working with other musicians, and much more. Find it on the podcast section of Scott Wolf's website, or click here for a direct link to the audio!

 

 

 


 

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Dec 11
AW

Free beginner guitar lessons now available

Now you can access a brand new series of beginner guitar lessons for free! This easy-to-follow, step-by-step program offers high-definition video lessons that walk you through the fundamentals of learning acoustic guitar - including all the essential guitar chords, picking, strumming, easy acoustic guitar songs, and much more.  Taught by the great guitarist Scott Law, Acoustic Guitar 101 is the perfect way to get you playing fast! 

Posted in guitar, scott law
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Nov 26
AW

holiday gift idea

Need a Holiday gift idea? This Holiday Season share the gift that keeps on giving with an ArtistWorks Gift Certificate! They make the perfect Holiday gift for any musician or artist in your life (maybe that person is you, so put this on your wish list!). 

We also have physical Gift Cards available on Amazon for the following schools:

Purchase here: ArtistWorks Gift Certificates

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Oct 29
AW

david bilger - trumpetWRTI is featuring an interview that David Bilger did with Susan Lewis backstage after his performance of Hummel's Trumpet Concerto in E Flat, which he performed with the The Philadelphia Orchestra last February with Guest Conductor Rafael Fruehbeck de Bourgos.

Click on the player below to listen! 

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Oct 17
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philadelphia orchestra flute concertoThe composer in residence for the Philadelphia Orchestra’s summer season, Behzad Ranjbaran, has written a Flute Concerto especially for Jeffrey Khaner (world-renowned Principal flutist for the Philadelphia Orchestra and ArtistWorks flute teacher). Khaner was so impressed by a piano concerto that Behzad Ranjbaran had written that he approached the Persian composer about writing a possible flute concerto. The conversation went something like this:

Khaner: “This is fantastic! I wish you’d write a flute concerto.”

Ranjbaran: “Sure!”

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Sep 25
AW

st luis classical Guitar Society jason vieauxJason Vieaux will perform at the St. Louis Classical Guitar Society's opening season event on Saturday, September 28, 2013. The St. Louis Classical Guitar Society is celebrating it's 50th season this year, and Jason Vieaux first made his debut there 10 years ago in 2003. 

"The Guitar Society has a really wonderful history. It’s one of the longest-running purely classical guitar series in the United States, if not the longest-running.” - Jason Vieaux (click here to read more from Jason's interview with St. Louis Today)

Jason will be playing a classical guitar piece from composer Benjamin Britten, who in 2013 would have turned 100. The piece, “Nocturnal After John Dowland”, was originally written for the great classical guitarist Julian Bream, who first performed it in 1964. 

For tickets and more information about the show visit the St. Louis Classical Guitar Society's Website.

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Sep 17
AW

Long tones are a vital part of not only learning how to play the flute, but playing at a high level. The tone you produce is the essence of everything you do as a flute player. Because of this, long tones should be the primary activity for your daily flute practice.

Even Juilliard Instructor and Philadelphia Orchestra Principal Flute, Jeffrey Khaner starts each practice day with long tones. “I may have had a wonderful concert last night. Played great. Really enjoyed myself,” says Khaner. “But the next morning, it’s a whole new day. After having slept the night, I am simply not where I was the night before and I have to work back up to it.”

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Sep 11
AW

music theory lessons

A New Resource for All ArtistWorks Members

As of today, ArtistWorks offers a comprehensive Online Music Theory Workshop! This essential course is free to all subscribing members of ArtistWorks’ 24 Music and Art schools. Practical music theory enhances aural skills and makes players more confident and intuitive in their playing. This added benefit of membership is just one of the offerings that demonstrates ArtistWorks’ ongoing mission to be the primary online destination for artists and players at all levels, who want to enhance their skills.

 

music theory lessons

A New Resource for All ArtistWorks Members

As of today, ArtistWorks offers a comprehensive Online Music Theory Workshop! This essential course is free to all subscribing members of ArtistWorks’ 24 Music and Art schools. Practical music theory enhances aural skills and makes players more confident and intuitive in their playing. This added benefit of membership is just one of the offerings that demonstrates ArtistWorks’ ongoing mission to be the primary online destination for artists and players at all levels, who want to enhance their skills.

Posted in music theory
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Sep 11
AW

AW: How should students practice clarinet scales on a daily basis, as well as on a weekly basis?

Ricardo: Clarinet scales must be practiced a great deal and often, because just about everything in Western music is based on scales and arpeggios. It only takes a few seconds to look at any piece of music to find how integral scales and arpeggios are to how melodies are constructed.

The trick to practicing clarinet scales is to have "music" in mind when practicing scales. If one does not, while it may be helpful in a technical sense, it will not be as useful as we need them to be. Practicing clarinet scales in an abstract way is about as useful as learning vocabulary randomly from the dictionary - it may be good for a spelling bee contest, but when it comes to music, we should learn the words for writing, or singing poetry through music.

The chromatic scale should be practiced daily, as it comprises of all the half steps in our instruments. It is also used in a great deal of passage work that requires speed, so familiarity with it is of great importance.

Weekly study of our "challenging" key scales will keep our fingers nimble and getting used to the finger patterns that are hard. Familiarity with the difficult finger combinations is the best way to eliminate or ease our use of those keys.

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Aug 27
AW

Embouchure (pronounced ˌämbo͞oˈSHo͝or) refers to how we use the mouthpiece on a wind or brass instrument. When talking about clarinet embouchure, there are two kinds: single lip and double lip embouchure.

To give you a little clarinet history: before the 1820s everyone played clarinet with the reed on top, which forced you to use double lip embouchure. Then in the 1820s, Germans clarinet players introduced a new way of playing clarinet with the reed on the bottom, which gave birth to single lip embouchure. As you'll discover in this sample video from Ricardo Morales' online clarinet lessons, there's actually more reasons to play clarinet using a double lip embouchure as opposed to the more commonly used single lip embouchure.

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